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From the time they were children, they thought the most beautiful thing in the world was a woman’s face and body. “If that’s where all the money was, as a woman, you’d be lucky to get that job.” Dahlsad also wonders if Frush, Mozert, or Ballantyne ever felt conflicted about creating these innocent-but-sexy women to be ogled at factories and mechanic shops.

Zoë Mozert’s story

“Men were easy to come by; and my paintings were my children.” Jane Russell models for Mozert, who’s painting the scandalously sexy promotional art for 1945’s “The Outlaws.” Via “Tease! At age 45, Mozert retreated to Arizona, where she kept painting calendars for Brown & Bigelow, who was paying her a pretty penny by 1952, around $5,000 per image. Howard Hughes recruited Mozert to paint the publicity image for 1945’s “The Outlaw,” a scandalous billboard of buxom Jane Russell in a peasant blouse dropping dangerously off her shoulder. And Mozert did, in fact, pose for many of these pin-up paintings herself.

Zoë Mozert’s story

… ‘The perfect face and the perfect figure have yet to be combined in one woman,’ she stated.” Some glamour girls who didn’t measure up were Veronica Lake, Dorothy Lamour, Barbara Hale, Loretta Young, and Lana Turner, all receiving scores of 60 or less. “He said, ‘What’s a cute, little thing like you doing in the calendar-art business? “Both of them used themselves as models; Zoë especially loved to paint herself.

Gifted at carving patterns used for the scrollwork on stoves, Fred founded Moser Pattern Company in Newark, Ohio. Mozert, the most famous of the top three female pin-up artists, was born Alice Adelaide Moser in Colorado Springs on April 27, 1907, to Jessie and Fred Moser, a painter and wood sculptor respectively. As a young woman, Mozert modeled for fellow pin-up artist Earl Moran. Sometimes she was angry, and she drank quite a bit at the end. “I found all her model photos, and just zillions of pictures of her with all four of her husbands.

Pearl Frush’s story

“Gil Elvgren, the most important pinup artist of all time, was very good friends with Ballantyne, and they actually posed for each other,” Meisel says. ‘My whole house is my ashtray.’ She gazed across the table at me through giant pink eyeglasses and the haze of cigarette smoke. In 1943, the 36-year-old moved to Hollywood with her husband (the second of her four short-lived marriages). He said, ‘What’s a cute, little thing like you doing in the calendar-art business?

This success led to gigs making more sexy calendars for Louis P. Dow company and Goes Lithography, as well as doing images for Esquire and Penthouse magazines. Her paintings are not as sexy, but when it comes to painting a face, nobody surpasses Pearl Frush. With his late business partner, Charles https://sblouin.com/ G. Martignette, he started hunting down the original pastel or watercolor paintings that pin-up posters and calendars were based on in the 1970s.

Paramount Pictures decided to include her in a film series called “Unusual Occupations,” with a short called “Zoe” about “the pin up girl who paints ’em too.” While Mozert often painted her own body, Sunny would typically pose for the faces. When the art director of the nation’s biggest calendar company, Brown & Bigelow, saw her nude painting at the gallery, he sought her out to offer her a contract. “James Montgomery Flagg, the artist who painted that ‘Uncle Sam Wants You’ poster, was also a judge.

• She posed Cheri, who was 3 years old then, in the backyard, snapped some photos, and drew the image.
• Usually, she painted a different face, but she used her own body.
• Ballantyne won the job in 1959 and created the image of a pig-tailed girl who finds a dog pulling down her swim trunks, which was loosely based on an idea by pin-up artist Art Frahm.
• “Before the 1970s women’s movement, nobody thought that pin-ups were objectifying.”
• … ‘The perfect face and the perfect figure have yet to be combined in one woman,’ she stated.”

Ballantyne’s husband died of lung cancer in 1985. A rare male pin-up (possibly based on Ballantyne’s husband, Jack Brand) for one of Ballantyne’s Artist Sketch Pad pages. She posed Cheri, who was 3 years old then, in the backyard, snapped some photos, pin up app and drew the image. “I didn’t go in for dirty stuff like they do today. Her 1955 calendar was such a hit that it had to be reprinted multiple times.

“With Pearl Frush, for example, her girls were very beautiful, with wonderful-looking bodies, but it wasn’t so much about being sexy as being the all-American girl. It is something they enjoyed painting, and they felt lucky they could make a living at it.” Both male and female pinup artists painted for that.” So you might be surprised to learn that, according to pin-up art expert Louis K. Meisel, three of the most talented pin-up painters from the Golden Age, roughly the 1920s to the early 1960s, were women. It’s easy to think of pin-up art as a charming relic of the old boys’ club—images that might line the walls of a Mid-Century smoking room where Don Draper and Roger Sterling slap each other on the back. Azerbaijan’s pin-up culture reflects an intriguing blend of tradition and modernity, where iconic imagery has evolved to showcase the essence of Azerbaijani identity.

Pearl Frush’s story

But her biggest break came when the Shaw-Barton calendar company hired her in 1954, when she was 36, to paint a 12-page calendar. Like her friend and colleague Gil Elvgren, Ballantyne specialized in putting girls in accidentally sexy situations. Her first cover image was of a voluptuous mermaid, modeled after herself, pranking fishermen by putting a tire on their hooks.

• But business was business, and one had to meet the demand.”
• Azerbaijan’s pin-up culture reflects an intriguing blend of tradition and modernity, where iconic imagery has evolved to showcase the essence of Azerbaijani identity.
• As a young woman, she resembled the Donna Reed in ‘From Here to Eternity,’ only earthier.
• “She was an icon for women in a man’s world, especially when it came to her pin-ups,” her friend Ed Franklin told the Ocala Star-Banner.
• “He said, ‘What’s a cute, little thing like you doing in the calendar-art business?

Zoë Mozert’s story

Meisel explains that Pearl Frush is one of the most technically proficient watercolor photorealist painters he’s ever seen. Meisel isn’t denying that these women had talent. No man, no matter how knowledgeable, can be as familiar with the feminine form as a woman.” “Before the 1970s women’s movement, nobody thought that pin-ups were objectifying.” “There is a certain sexy look, with black stockings, garters, and emphasis on certain parts of the anatomy that Elvgren, Vargas, and other male pinup artists do. While Mozert, at least, was not above mean-girl snarking on friends and celebrities with less-than-ideal figures, she and the other pin-up artists were still blazing a trail for women.

Zoë Mozert’s story

Just before I published the article, she called and said she didn’t want it published. I spent weeks with Zoë, and after that, I would visit regularly and clean her house. Within minutes, Zoe was flirting shamelessly with my husband, Jerry, who immediately fell under her spell.” “So many women are left out of historical records,” Dahlsad says. “One morning, he calls up a woman in Wisconsin, and he says, ‘I understand that your father was an executive at Gerlach-Barklow. He came back with the names of 17 people whom he determined were executives at the company during that time.

Pearl Frush’s story

“She always lived as if everything was a headline,” says Phillips, which seems like the right fit for a woman who briefly joined a circus. “Her property was worth a fortune, but the house wasn’t,” says Phillips, who called the state to alert https://dnagamers.com/ them to the historical treasures inside. “It’s a shame nobody wanted to hang up pictures of beautiful men in their garages.”

She told Klinkenberg, “I’d go to a paint store for supplies and would literally find a sign on the door that said, “Gone Fishing.’ I didn’t think I’d be here long.” Ballantyne won the job in 1959 and created the image of a pig-tailed girl who finds a dog pulling down her swim trunks, which was loosely based on an idea by pin-up artist Art Frahm. She’s a nice girl, she’s innocent, but maybe she got caught in an awkward situation that’s a little sexy.” Often she used herself as a model, gazing into the mirror while painting a buxom doll who later would be admired in a greasy garage by drooling auto mechanics.” Mozert kept painting until 1985, when she injured her shoulder in a fall. During World War II, Mozert painted Victory Girls for Mutoscope cards meant to be sent to soldiers fighting overseas.

Esquire was considering me as a replacement for Vargas and Petty.” While Smart did commission more paintings from her, eventually buying 12 of them, none ever ran in the publication. “’Those lips you’d love to kiss’ in many of Zoe’s early paintings are really the lips of her brother,” Phillips wrote. Her brother was also her favorite lip model, for images of women. Men were easy to come by; and my paintings were my children.” As a result, Meisel says, many pin-up paintings got stashed away in attics and basements. This Ballantyne is a rare woman-painted pin-up featuring black stockings, garter belt, and heels.

Pearl Frush’s story

At this point, she was at the height of her career, producing almost startling photorealistic images. She would also sometimes sign her work “Pearl Frush Mann.” Applying to Brown & Bigelow that year, she wrote, “I didn’t turn out to be much of a musician, but I married one. Frush loved swimming, so she painted a lot of water-sports scenes, enough for a whole Aqua Tour calendar. This Pearl Frush painting in particular calls to mind the work of Alberto Vargas.

Pearl Frush’s story

“They were very curvy, pretty women,” says pin-up dealer Marianne Ohl Phillips, who interviewed both Zoë Mozert and Joyce Ballantyne before they died. From what we know about these women, it seems that female pin-up artists of the Golden Age bought into the most exclusive standard of beauty. Others divide the world into the beautiful people and the rest of us. Her pretty face, with an occasionally coquettish expression, telegraphed childlike sweetness and a lack of real awareness of the pornographic thoughts she inspired, dancing on the edge of the virgin-whore complex.

Pearl Frush’s story

“You find mistakes in the male paintings,” Phillips told me. “Elvgren’s got a famous painting where she’s got two left feet, and there are just these things that don’t fit every once in a while. But Phillips, a paper dealer who helped bring pin-ups back into fashion in the late 1980s and ’90s, says she believes the women were naturally better at painting women. “If you really get into it, you begin to see that women have a different way of portraying women than men do, even when they’re all trying to do something sexy for a pin-up calendar or a magazine,” Meisel says. Still, Meisel, the co-author of several authoritative books on pin-ups, says that he can tell whether a pin-up was painted by a man or a woman just by looking at it.

’ And he’d say, ‘Oh, yeah, I’d love that.’ When he was unwrapping it at home, his wife would say, ‘Oh, you can’t put that in our house. “At the time, they weren’t sold in art galleries where people paid money for them,” he says. “No man, no matter how knowledgeable, can be as familiar with the feminine form as a woman.” Largely, the stories of these women have been untold.

I guess I enjoyed it more than most children because I kept at it and was soon begging my mother for paints, modeling clay, etc. When applying for a job at Brown & Bigelow, she wrote, “I started drawing, like most children, as soon as I could hold a crayon. In their book, Meisel and Martignette explain that her tendency to paint in watercolor and gouache made it difficult reproduce those works in large numbers. Cheri and her husband moved into the top floor of her building to take care of the artist, who kept drinking her evening martini and smoking cigarettes until her death in 2006.

Zoë Mozert’s story

A trend in pin-ups in the ’50s was cowgirls, as seen in this Frush painting. If your company had purchased 5,000 calendars from Brown & Bigelow, the salesman would show up and say, ‘Gee, Mr. Smith, this is the original painting that’s on the calendar you bought from us. They were the first to acknowledge pin-up painting as fine art and hang the works of Vargas, Elvgren, and Mozert in gallery shows.

That year, she landed a prestigious gig to produce six covers for Hearst’s American Weekly Magazine, and at one point, she had nine covers on nine different magazines on the newsstands at the same time. At 52, Mozert painted the world’s largest reclining nude for the Red Dog Saloon in Scottsdale, Arizona, in 1959. “My first impression upon meeting Zoe Mozert was astonishment,” Phillips wrote in her article about the 5-foot-tall painter, who was 83 at the time.

Pearl Frush’s story

Well, Flagg was a mean, old sourpuss who didn’t get along with his wife; so he hit on me. Of course, the petite woman had to have a big personality to keep the men from running her over. On the social scene, she was known for her pithy “Zoeisms,” like “Always keep yourself bigger than your job.” “Around that time she decided her name was a handicap,” Phillips explained in her piece. Mozert lost her scholarship and had to get a job her third year, thanks to a minor scandal—she’d posed nude for an art class at another college nearby.